Search: Starring Bill Paxton

Like the bulls that Papi is so fond of, this film is more interested in careering about causing mayhem than dwelling on details.

To think that Ridley Scott provoked so much tension and dread from just one is strange. When they are all over you, it makes for a superior sequel.

Apollo 13 is one of my favourite films, it's one of those films that stirs my sense of discovery, as well as plunder our collective dreams.

Fishburne would be watchable even in a washing powder advert and for as long as he's on screen the film just about holds itself together.

Wit is the first casualty.

Cage gets killed over and over and comes back to the same place to start again. Bor-ing!

Instead of being driven by effects and action, Frailty holds your attention with utter disbelief. You can accept what is happening, but do you want to?

Soderbergh lays the pretension on thick in flashbacks to the Barcelona job that is clearly at the root of her problems, with slo-mo here and black and white there doing nothing to distract from the fact that it has all the substance of a chocolate bar adv

With little glances, with the pitch of her voice, Nélisse shows us that Casey is alert to what''s happening around her.

It is exciting, sentimental, fast moving and utter twaddle.

Although far from subtle, the metaphor of man as corporation is skillfully hidden behind black comedy, intense action and artful cinematography.

It’s one of the most perfect examples of this quintessentially American genre that I’ve ever seen

Brash, unsubtle, in-your-face, wall-to-wall action.

Tension leaks over the floor, like blood, until the denouement, which throws everything into the air.

Though it has a simple story, somewhat blank acting and awkwardly choreographed fights, its every flaw corresponds perfectly with the make-up of the original series.

James Cameron's masterpiece. A lean, brooding, violent and unforgettable experience from a director hungry for success.

What raises Cameron's creation above costumed action spectacle is the quality of the writing and the chemistry of its juve leads.

True Lies might not be what many expect from James Cameron (given that it’s not thought-provoking or full of copious amounts of water) but it’s undoubtedly entertaining.

The acting depicts fear and determination - no shades of emotion, no humour.

The star is O'Donnell. As good as he is, he has the look of a lad on a gap year rather than the charismatic leader who might carry this through.